Showing posts with label printmaking. Show all posts
Showing posts with label printmaking. Show all posts

Sunday, 28 August 2011

The lost Hour (Wood intaglio)




I made this print towards the end of last year for a print exchange at Dundee Contemporary Art Print Studio, I spent ages trying to find out about doing this technique but quite honestly there isn't wasn't much available on the Internet never mind in any of the fairly extensive  collection of technical books i have on printmaking techniques.  I already had this piece of wood cut in a circle shape and it had the same image - although I changed it somewhat on the reverse side.  This I had printed as a relief print.  I have a few proofs of it somewhere and will add it into this post, when I come across it.  I have been prompted to post this image in response to a conversation that's currently going on in the Baren forum at the moment.
A course being offered by Hiromi paper is advertised as "drypoint wood block printmaking" and this piqued someones curiosity - well I think myself that it's going a bit far saying that you can do a drypoint using wood as your matrix.  I mean the burr and so on ??!!!   For the print shown here, I used a small scraper  tool (with a triangular shaft) to incise the main lines .  I also used a scalpel for the finer lines.  To achieve the various tones I used Lascaux acrylic hard ground, diluted to about 3 strengths.  I seem to remember the diameter of this circle is 17cm.

Sunday, 24 May 2009

Loose Pigments in a printmaking context ??

This is something I have wanted to explore for ages and ages and for some reason .....I finally got round to it.


I think this was the first one. I rolled up some oil based extender onto a perspex (plexiglass) plate and then sprinkled some loose pigment powder, on to it.

I put the powder into a glass jar and then placed a double layer of tarlatan or scrim over the mouth of it (using an elastic band) . I wanted to try to eliminate little clumps and make it come out finely / lightly BUT believe me that's a lot trickier than you would imagine...!!



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This second image was what I originally had in mind when I was thinking of doing this although my overall aim, is to be able to incorporate intaglio elements with it as well.
I may not be able to 're-soak' them though, once they have been in the 'drying stack.
Perhaps the pigment wont be sufficiently 'adhered' to the paper surface??

I will have to test one to see how it behaves.
I have just included an inkjet chine colle, element with this one.





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This next one was an inkjet print of mine from ages ago which I always felt needed 'something else' to be complete. So I hastily tore a template or stencil out of some newsprint and 'masked the areas I wanted to protect. On the plate I previously rolled the pigment, into the transperent oil based extender.




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This one was done on top of another previously made proof using possibly cling film with a transparent blue ink on. Can't quite remember. It's on lightweight paper.






UPDATE  :  these prints have survived from when they were originally created - which was May 2009 Five and a half years ago now .....i.e., none of the pigment has fallen off ....they look the same now (8th February 2015) as they do in these photos.

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Saturday, 20 October 2007

Forthcoming Print Biennials and Triennials

Forthcoming Print Biennials and Truennials

International Triennial Exhibition of Prints, KOCHI


deadline: 31-10-2007


http://www.tosawashi.or.jp/


INTERNATIONAL BIENNIAL OF MINI-PRINTS TETOVO


deadline: 15-11-2007
http://www.mini-prints-biennial-tetovo.blogspot.com/


International Experimental Engraving Biennial, MOGOSOAIA
Bucharest experimental Printmaking

deadline: 20-11-2007
http://www.experimentalproject.home.ro/


Biennial International Miniature Print Exhibition VANCOUVER

deadline: 10-05-2008
http://www.bimpe.com/

Friday, 19 October 2007

Cobalt Series (20)


Cobalt Series (20)
Originally uploaded by ainesse.
Another one from the series which I have now decided to call "Elemental Traces". Made using the offset process and chine colle. Also digital archival print onto Japanese paper.